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Show Notes

[00:03:53] - [First question] - One of her proudest moments early in her life

[00:05:18] - What she’s learned about originality and its role in the creative process

[00:07:24] - Advice for breaking out of a derivative impulse and finding your character

[00:09:27] - Going from a classically trained pianist to exploring modular synthesis

[00:13:47] - Performing on David Letterman

[00:17:55] - What the Buchla is and the sounds it can make

[00:23:03] - How much of playing a modular synth is improvisational versus pre-made

[00:24:36] - Ways she would design a creative system for other creatives

[00:27:38] - What her interface allows her to do and the mechanics of it

[00:29:07] - Describing what the core sound elements are that she manipulates

[00:32:30] - The role of women in music and how it’s evolved over time

[00:35:06] - What stands out from her mentorship with Ilse Bing

[00:38:16] - Later career creative freedom and what it unlocks for artists

[00:39:25] - Her thoughts on the creative process writ large and its components

[00:42:10] - Commercial sound design and working with Coca-Cola and Atari

[00:44:46] - Observations from a creative life that other artists could benefit from

[00:46:11] - Unifying factors across her best performances

[00:47:53] - What the future might hold for technology and music

[00:50:18] - Where to start when exploring her discography

[00:51:17] - The kindest thing that anyone has ever done for her