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Show Notes

(00:01:44) - (First question) - How her transition from the traditional world to the digital one has shifted her thinking on IP and protections

(00:03:21) - Overview of the MetaBirkins lawsuit during the peak of the NFT surge

(00:06:14) - The Tom Sachs rockets and where the legal line is drawn for them versus MetaBirkins

(00:09:01) - Differences between copyright and trademark law

(00:09:37) - How using logos is fair use and not teetering on a lawsuit like Tom Sachs’ rockets

(00:13:21) - Overview on the Yuga Labs and Ryder Ripps trademark dispute

(00:17:03) - Analyzing the nature of the court case and the precedent it set

(00:20:45) - Whether or not it’d be possible to sue someone for making a brand out of your Bored Ape or a similar NFT

(00:23:47) - The pros and cons of the different licensing options a project could choose

(00:28:41) - Matt Furie’s Pepe the Frog being memed and when he could take legal action

(00:30:27) - The seventy years after death protection and IP becoming public domain

(00:32:38) - Defense, patents, and being on to something when Nike tries to sue you

(00:36:00) - Being the head of global trademark services for MidJourney and Tarantino’s dream project that never took off

(00:40:41) - AI generated art and the complex legal models behind them

(00:43:28) - What she’s excited to see unfold over the next six months and six years